Soundscapes

2002AD Electronic Music Conference, Adelaide Fringe.
11:00am - 12:30pm, Wills Refectory.
With Sonia Leber and David Chesworth (Wax Sound Media), Scanner and Andrew Kettle.
The nature of sound has and will continue to be explored by electronic sound artists. Their ability to place computer based sounds within both specific environments is a particular art. This session will explore sound its environmental context and placement.

The Static Laboratory

Play: [5:04]

[Live. 24 November, 01. Can of Worms Festival, Brisbane Powerhouse, Turbine Hall. A collection of aural, alchemical laboritory experiments and research.]
2002AD Electronic Music Conference, Adelaide Fringe.
3:30 - 5:15pm, The Cinema.
An aural alchemical laboratory producing vibrations across the spheres.
An Artist's Presentation that offered previous performance video projections, slide projections, recorded audio works, live performance of designed instruments (DC motor chains, EMR rings, Dry Ice-Metal textures, 'RosePetal' the black rat, SW radio & Diode exciter), non-verbal vocalisations and spoken word considerations of the symbolic and thematic elements in the works of Kettle.

"I was really quite spellbound by the performance and the subject matter and by the end could make sense of the alchemical connection with sound in terms of vibration. And of course there is something innately magical about electricity, and in particular - arcing and sparking. I though you were very dextrous with leads and connectors and maintained a spoken word performance in persona very adeptly. Your assistant played an admirable role with the rat and associated lab tasks."
Robyn Ravlich, The Listening Room, ABC Classic FM.

Small Black Box

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